Sunday, 1 May 2016

On Kung Fu

BY K.P.

Until the recent Kung Fu films shown in Britain, Kung Fu was almost unknown here. However, it is very disappointing that these Kung Fu films do not throw some light on the mental side or the philosophy behind the art. They do express to our Western friends how cruel the Chinese are and thus create a wrong impression of the character of the Chinese people as well as leading to a misunderstanding of Kung Fu.

Kung Fu (the proper name should be Wu Shu) is one of the valuable products of Chinese physical culture developed through the past 2,000 years by the hard working people of China. Many schools of Kung Fu originated in the Shaolin Temple and later branched off into different styles. The hundreds of different styles of Kung Fu are generally divided into two schools: the external systems, ‘wei jia’, and the internal systems, ‘nei jia’. This is not to say that the internal systems are better than the external systems. If one would study the philosophy behind the Chinese martial arts, he would find that at the ‘top’ of the art all systems contain both hard and soft, yin and yang, internal and external factors. Each system is but a different road or path to the same goal, i.e. the training of the body and mind.

As a form of martial art and physical exercise, Kung Fu training leads to good health and the ability of self-defence. But, when confronted with a fight, a devoted Kung Fu man must run before he fights and fight before he kills. Fighting is not the aim in learning and practising this art. Although Kung Fu is in the form composed of different combat techniques, one has to build up a state of peaceful character. One has to learn to control oneself, to shape one’s character and personality to the best. With a strong body and a beautiful personality, he may then face any difficulties in life with courage and offer his ability for the good of human society.

The Chuan in Kung Fu is a prearranged sequence of movement and techniques. It is so arranged according to some forms or patterns. The performance of Chuan may appear in a form of ‘dancing’ and the performer has to interpret the beauty in the hand and foot movements and techniques. In practising the Chuan, one needs a lot of concentration and an ‘empty’ mind so as to improve the performance. By means of concentration and the emptiness of thought, one will achieve a reunion between one’s body and heaven (or the universe).

Kung Fu is one of the paths to perfect one’s character, to enable one to sense one’s responsibility towards society and to get rid of one’s ‘self’ for the union with Nature.


Tuesday, 20 October 2015

On Internal Martial Arts


Tai Ji, Ba Gua, Xing Yi … not to see the physical movements, but the internal quality and achievements. This can only be seen by those who have the experience and it makes up 7/10 of the Art. What can be seen by outsiders is only 3/10 of the Art.

Many are teaching Tai Ji as physical movement: benefit, yes, but very limited and shallow. This cannot maintain the interest long. It produces half-boiled members after they leave the class with a short period of study. It is usually very harmful to this Art if they are taught by the quick, immediately done, commercial instruction because it is not the Chinese Internal Martial Art at all to my knowing.

In the Internal Martial Arts movements start from the roots not the ends. “Form” to the internal school is moving very slowly, when they seem static they are given names as forms. “Movement” to the internal school has direction but with very little visual sign. The internal is almost unseen, it is moving such as blood and qi. It is flowing all the time, but one cannot see it unless one has the gong-fu: knowing how to see and where to see.